Movie Review: Devil (by Dave Machado)

Devil is a movie that you can like, perhaps even really like, but not love. It's a high-concept horror movie that is filled with so many logical holes that it begins to resemble a game of Jenga. I spent the whole running time wondering when that final piece of intelligence would be removed, causing the entire movie to topple over itself. Yet somehow, when the movie was finished, that tower of blocks was left standing and the movie was able to get away with having so many issues purely because it was so damn fun to watch. It may lose a lot of its bulk to bad logic, but it is smart enough to keep its base intact, providing a great thriller with some genuinely creepy moments.

The movie focuses on a group of 5 people stranded in an elevator. They are all suspicious people to begin with and start to turn against each other as they realize something is horribly wrong with their situation. The previews hint that one of the passengers is not who they claim to be and are in fact the devil. The movie does a good job in the beginning of making you question whether or not something truly supernatural is occurring but does not stick with this theme long enough. The filmmakers don't seem that interested in this debate of whether or not evil really exists and because of this, the movie loses a bit of steam going forward.

Speaking of losing steam, the movie makes the confusing decision to go back and forth between the people in the elevator and the cops and security guards trying to get them out far too much. I would have preferred something more risky where the movie focused on only one of these groups for the entire runtime. That way at least if it was a failure, it would have been a respectable failure. Instead we are forced to go back and forth between both scenarios, which I felt made it so neither ever got the real attention they deserved. The movie never allows enough time for the real sense of panic to rise up on either side, which just doesn't make sense to me based on what we see happening.

One of the things that really bugged me about the movie is how the people in the elevator react to the first death. The movie ends up taking on a very Agatha Christie feel as one-by-one, the people in the elevator start to die mysteriously (when the lights go out of course.). But once the first death occurs, I was stunned at the lack of reaction from the rest of the people in the elevator. They seem to react to the death the same way they would react if one of the people happened to faint while the lights were out. Sure, there is some nonsense talk about having never seen a dead body before, but they aren't flipping out, which is something I think should have happened. The movie has the characters keep their cool for the sake of storytelling but from a reality standpoint, it starts to pull those Jenga pieces away at a very quick pace.

It seems that a lot of the smaller things that bugged me stemmed from the fact that the filmmakers set up the rules they wanted to work within before fully fleshing out the details. So when the characters are face with a problem that has a logical workaround, they skirt that issue under the rug and try to divert attention away from the glaring issues. One such rule is that the cops outside the elevator are able to speak to the survivors using the P.A. system, but for some reason, the other side is broken so they can't hear anything coming from within the elevator. The only connection they have is what's picked up by the elevator security camera. This leaves many times where the movie simply gives in to the fact that some things can't be communicated because there is no sound coming from the elevator. Apparently these cops cannot read lips at all and the people in the elevator are terrible at charades. 

The movie tries to mine far too much tension out of this problem so it's never brought up how illogical it is that none of this is attempted. They try to pull something by saying the camera isn't sharp enough when they try to have the people hold up their IDs so they can properly identify who is in the elevator, but that is not a good enough excuse for me. I wish the movie was a bit more tongue-in-cheek and it didn't try to be so serious at times. It's hard to take a movie seriously when the address of the building where everything takes place is 333 Locust St. It seems baffling to me that a movie would choose something that corny and not stick with a B-movie tone. Again, it's as if the filmmakers are not brave enough to chose one thing over the other and instead try to have the best of both worlds, which is something that a small horror movie with an 80 min. runtime is not able to handle.

Devil tries to play out like a religious morality play. It contains some pretty bad narration by the very religious security guard who is the first to suspect something is wrong. The movie begins with his voice over but we don't actually become introduced to his character until later on in the movie. It is an odd and somewhat lazy choice to have him relay a story his mother used to tell him about the devil coming to earth to make people pay for their sins. It becomes even an odder choice when we see just how useless the character actually is within the scope of the movie. It's as if they needed a way to get this extra information across and the only way they knew how was to create this one note supporting character and then allow him to narrate the most important parts of the film. They could have at least given his character a good pay off but instead he ends up playing no role in the outcome, other than to annoy me with this cliche ramblings about the devil.

It actually surprises me how many negative things I have to say about this movie because as I said earlier, I enjoyed it overall. The movie is being billed as the first entry in "The Night Chronicles" which seems to be a possible anthology of unrelated thrillers to be setup by Producer M. Night Shyamalan. I would love to see a couple little flicks like this pop up every year. Devil plays out in a twisty Twilight Zone kind of way that could easily make it part of a universe being setup between multiple films. If you are a fan of horror movies, then I 100% recommend giving this movie a shot. Hopefully you will find enough good in it like I did to consider it an entertaining story and something that I look forward to revisiting on DVD. However, for those who only enjoy horror when it's smart and edgy, you may just want to wait in the lobby for the next elevator to arrive.

You're Welcome,

Dave

Movie Review: The Town (by Dave Machado)

With his new movie The Town opening wide this weekend, Ben Affleck is officially a director I need to keep an eye on. After his stunning debut in 2007 with Gone Baby Gone, it is a relief to see that it wasn't a fluke and that Affleck really has the talent and skill of a major director. It may seem a bit premature to say this but I'm starting to believe that Affleck is doing for Boston what Woody Allen did for New York City in the 1970s. Ben Affleck knows how to make Boston become a major character in his films in a way that does not seem forced and instead comes from his deep love for the city he grew up around. The movie isn't just a simple love letter to Boston though. It is also a tense and thrilling heist movie with a great cast of characters and a script that luckily doesn't pander to audiences who can't bother to pay attention to what is happening in front of them.

The basic plot of The Town is setup in the opening bank heist by Affleck's character Doug, his close friend James (played by the excellent Jeremy Renner), and their two other crew members (played by newcomers Owen Burke and Slaine). They end up taking a bank worker hostage whom they eventually drop off after they realize they were able to get away clean. But they soon find out that the woman they took (played by Rebecca Hall) happens to live in the same neighborhood as them, Charlestown.  Affleck decides he will follow up on her to make sure she didn't see or hear anything she wasn't supposed to. Without planning to, he ends up falling for her and tries to keep his life as a bank robber hidden while at the same time a pair of feds (played by Jon Hamm and Titus Weller) start zeroing in on his crew.

As you can see, the plot of The Town boils down to a pretty standard heist flick. It may not be breaking any new ground but it is an example of the right way to do a heist movie. The casting of the movie is spot on for every major role. All the people mentioned do a great job but special attention should be given to both Renner and Hamm. Both are very intense characters on opposite sides of the law and it was great to see Hamm get to play a character other than Don Draper (or the handsome and stupid Dr. Drew Baird). I was also impressed with Blake Lively, who plays the sister of Renner's character and also a former love interest of Affleck. It may sound like a backhanded compliment, but she does a great job at playing a Boston druggie who dresses like a hooker.

A major problem with most heist movies is that they all follow a basic formula. The Town is no exception but the talent in front of and behind the camera is far too great to ever let it dip into boring or cliche territory. It may have never left me wondering where the movie would go next, but I enjoyed the ride so much that it wasn't a problem. The Town also features some amazing car chase scenes that rightfully so have been getting lots of attention leading up to the release. Affleck proves that not only can he handle character heavy drama, but when the movie calls for it, he is able to direct some superb action sequences. A lot of action movies lately favor the hyper editing style that makes it so you easily get lost and don't have a sense of where certain characters are in relation to everyone else. Fortunately, Affleck does not subscribe to this editing style and so the movie never becomes a confusing mess and you always know exactly what is happening on the screen.

My one complaint with the movie would be the ending, which I felt was far too much of an easy choice but luckily it does not diminish what comes before it. I question the plausibility of two outcomes that occur but due to my goal of staying spoiler free, I will simply leave it at that. The Town may be far from a 5 star classic, but it is a seriously good movie that should be seen. I hope this movie finds an audience this fall and it allows Affleck to continue making these great films. It will be interesting to see what he decides to do next. Whatever it is, I plan to be in the theater on opening night.

You're Welcome,

Dave 

TV Review: Dead Set (by Dave Machado)

Most people reading this will not have had the chance to experience Dead Set, a British show that aired on the E4 channel in 2008. British shows are known for their short seasons and do a great job of telling lots without too much filler. In Dead Set, it focuses on the story of what would happen to the contestants on Big Brother if the zombie apocalypse occurred during filming. It may sound a bit gimmicky, and while Dead Set does mine a lot of its humor from this premise, it is much more than just a nifty idea. The show gets dark, very dark, and thanks to the less strict rules overseas, it is filled with just as much gore, nudity, and swearing as you are likely to see in any modern zombie movie (if not more). At only 5 episodes in length, Dead Set feels like an epic 2 and a half hour long zombie movie that is now one of my favorite examples of zombie fiction.

The first episode of Dead Set opens on eviction night for the Big Brother guests. We see the high activity going on backstage as we are introduced to both the people in front of and behind the cameras. Panic is setting in as it appears some rioting is occurring in some other city that could potentially bump Big Brother's live broadcast. I loved the idea of having this be the beginning hint of the zombie uprising. A similar tactic was used in Shaun of the Dead but was done more as a joke to show how clueless the main characters were by ignoring these broadcasts at first. In Dead Set, it is a situation that the characters are fully aware of. Of course, they think it is just some random rioting far enough away so they have no cause for alarm. The show is able to air but during the live broadcast, one zombie makes it to the gates of the studio. Before we know it, the entire studio (including the live audience there for the eviction) is being eaten alive as full chaos breaks out everywhere but inside the actual Big Brother house. Due to the soundproof studio to make them feel secluded from the world, they have no idea what is going on and simply go to sleep.

I don't want to spoil any more because it really is a fantastic show that should be seen without too much knowledge of the outcome. It does an excellent job of combining the stereotypes of zombie movies with the cliche cast members of a reality show. It is also anchored by what I found to be a surprisingly touching plot about a man (Riq) trying to get to the Big Brother studio where his girlfriend (Kelly) is one of the only surviving non-cast members who made it safely into the house in time. Dead Set never puts too much emphasis on this relationship so it never feels forced and becomes the natural heart of the story. I was surprised how invested I became in their outcome, especially as things go south, as they always tend to do in zombie movies.

Fans of George Romero's Day of the Dead will also be happy to know that Dead Set features one of the best "asshole" characters that I've seen in a horror movie since the iconic Capt. Rhodes. Actor Andy Nyman does such a great job at playing the despicable Big Brother Producer Patrick that it was the first time I've seen a character that didn't seem like a lame imitation of Capt. Rhodes but was more of a loving homage to such a hateful, yet loved, character. You will spend the entire show waiting for this character to die a glorious death and let me just say that you will not be disappointed. For those that think that is a spoiler, you have clearly never seen a zombie movie. The "bad" guy always gets the most gruesome death and I can honestly say that I was shocked at how graphic his was. 

The bad news I have to give is that Dead Set is currently not available on DVD in the US. However, I was able to borrow a Region 2 edition of the DVD that someone bought from Amazon UK that played fine on my laptop. For those of you who don't want to go that route, it seems that according to an old post on IFC.com, they are planning on airing the show for the first time in the US during Oct. 25-29 (see bottom of link provided). I am hoping this means there will be a DVD release for the US sometime early next year so it can finally get the audience it deserves in America. It's fitting that this will be airing so close to the premiere of The Walking Dead on AMC. Although in the end, it may be a negative for The Walking Dead because after watching Dead Set, I'm not sure another show will ever be able to do what Dead Set accomplished in just 5 perfect episodes of television.


You're Welcome,
Dave

Music Review: Katy Perry's Peacock (by Dave Machado)

Peacock Lyrics

For those of you who have yet to hear this new highlight in the medium of music, I urge you to either seek out the song before reading this or at the very least, read the lyrics in the link supplied above. There was a time a few short weeks ago that I questioned the reasoning for the continuation of music after Kurt from Glee sang Rose's Turn but now I see why. Some may think it is crass and others will say it is crude, and to both parties I ask you to reach deep down and remember that time you yourself longed for something that felt so close yet was so out of reach. Music has been around for centuries and has finally reached an apex of human creativity. Oddly, this turned out to be Katy Perry singing about how badly she wants to see a dick.

The song begins like any good adventurous tale does, with a person learning of a possibly unattainable object and the decision to stop at nothing in order to get it. Like Indiana Jones before her, Katy Perry sets us off into a world of mystery with the yearning for a mythical MacGuffin. We follow her along as she begins her quest by immediately pestering a man to show her his penis. My respect for Katy Perry lies in her ability to realize that sometimes the best solution to a problem is also the easiest. In the case of Katy Perry, let us call it "Occam's Razor Burn."

The real pain of this song is that we really get the feeling Katy Perry has never seen a penis of such supposed beauty before. She needs the, and I quote, "jaw droppin', eye poppin', head turnin', body shockin'" which is sadly something it seems she has yet to experience. Luckily, Katy Perry is a powerful person and the man's initial rejections only makes her more determined than ever to have him shove his penis directly in her line of sight. She even begins resorting to what some will call a low tactic, which is to question his manhood. Katy's line "Don't be a chicken boy, stop acting like a biatch" rougly translates in English to "don't be a man with a vagina, show me your big penis." This turns out to be the man's breaking point and we finally get to feel the surge of relief as Katy Perry realizes that the myths were true.

I can't remember the last time I have shared such joy with a fictitious character. Katy Perry is able to really get across the completeness she feels once she is actually able to see this man's penis. You begin to wonder yourself, will you ever really be able to find what is missing from your life in such a way Katy Perry was able to in such a short time. You think, "Surely, not everyone truly gets what they want. I bet Katy Perry is simply using hyperbolic statements in order to make you believe she is happy." Well guess what, you are wrong! I quote, "Oh my God no exaggeration/boy all this time was worth the waiting/I just shed a tear!" So many questions come with these answers. Has Katy Perry really become so happy that she cried? Or is her sadness stemming from the fact that she knows, at such a young age, she has just seen the best life has to offer her? Or perhaps his penis smells like an onion?

Regardless, we have reached the end of our journey and we leave these characters to hopefully have some fun and dirty sex. However, will Katy Perry ever truly be satisfied? The song ends on a bittersweet moment when after expressing her gratitude over this man's junk, she returns to her earlier ploys to have him show off his peacock yet again (or in an even sadder thought, she has moved on to a new man!). I believe Katy Perry is making a grand statement on the insatiableness of the human soul. Our feeling of fulfillment (or of being filled) will never last forever and at the end of the day, we will always be left wanting more. Listening to Katy Perry's Peacock leaves me with that same feeling. Luckily iPods have a repeat function.

You're Welcome,
Dave

Modern Classic Review: Memento (by Dave Machado)

Memento is a movie I had some reservations about reviewing. It leaves the viewer with a lot to ponder and I wasn't sure I had a strong enough grip on what the movie was really saying. I felt the same way regarding Christopher Nolan's latest movie Inception and only after seeing it twice did I feel confident enough to share my thoughts (which can be read here). So I decided to give Memento another viewing, as I hoped this may answer some of the questions I was still grappling with since I first saw it. Luckily the movie held up perfectly and I can now say without a doubt that it is a true classic and something that I believe people will be revisiting for years to come.

Memento is a fascinating movie with a very unique structure that allowed it to gain extra recognition when it was initially released. It tells the tale of Leonard (played by Guy Pearce), a man who after suffering a traumatic injury, has lost the ability to create new memories. His unfortunate last memory is seeing his wife die at the hands of the same man who attacked him, leaving him with this life-ruining disorder. His only goal in life now is to find and kill the man responsible for the crime so he can give the justice he feels is deserved. However, due to his condition, he has to resort to using Polaroid pictures and tattooed writings on his body in order to remember the clues he has found thus far. The movie is told in reverse order, slowly peeling back each scene in order for you to learn what Leonard does not know, the recent past. Every scene is filled with little riddles and the scene following it will set out to solve those riddles by showing you chronologically the scene that came before it. It's all very interesting because it changes your perception of the movie in every scene. Each scene causes what you've viewed before it to be seen in a new light, leading all the way up to the finale, which puts a new spin on everything you've witnessed up until that point.

Nolan likes to view his films as magic tricks being performed for the viewer, with the final act showing some grand reveal. This can be seen most literally in The Prestige but is an accurate statement for Memento as well. One thing about a magic trick is that not only should it astound the spectator, it should also hold up on repeat viewings. During the setup, a magician tries to distract you from something else so you won't realize how he pulled off the illusion. A great magician is not only able to achieve this for first time viewers, but is able to keep his methods so hidden that even returning audience members will still have no option but to be amazed again at the finale. Even if you try and pay close attention, you can't figure out how the magician is doing that trick so effortlessly and no matter how many times you see it, it always leaves you satisfied. Memento is Nolan's great magic trick.

One of the things that Memento left me thinking of the most is how much we take our memory for granted. I never really questioned my ability to always remember how I got from point A to point B but after seeing how a person's memory can turn on them really blew me away. There is a scene in Memento where Leonard discusses the usefulness of facts versus memory. He's telling the character Teddy (played by Joe Pantoliano, who it's worth noting is the person Leonard kills in the opening shot) how he goes on things like his Polaroids and tattoos because those, unlike memories, are the things that can be trusted. This ends up being a very important speech because as the movie progresses, it makes you question whether someone can take anything as a fact if they don't remember how they initially came to learn that piece of information. Could someone even trust their own writings if they had no idea how something was written in the first place?

I'm surprised it took me this long to see Memento. I think I was intimidated by the gimmick used to tell the story and was afraid I'd find myself easily confused and not able to follow the story. That was poor judgement on my part because in the end, Memento is a fairly easy movie to follow. During the runtime of the movie, I never once felt lost or confused. Sure, there were questions that I had, but Nolan does an excellent job of answering the key questions related to the plot by the time the credits roll. However, because the ending changes up how the rest of the movie is viewed, I think it takes a second viewing to really grasp how profound the story is. Luckily, Nolan is such a great filmmaker, that even when you know the ending of the trick, its a joy just watching the setup.

You're Welcome,

Dave

Movie Review: The American (by Dave Machado)

They don't make enough movies like The American. I went in not really knowing what to expect from this movie, other than the fact that George Clooney is always fantastic and I was looking forward to seeing him play an assassin. I anticipated a fun Bourne style action movie with a bit more subdued European style. Perhaps something light and fun that would be visually stunning but slightly forgettable. What I ended up seeing however was a beautiful and compelling character study about the life of an aging assassin. I've seen it described as an art-house action movie and that is a fairly good description. One other good way to describe it would be "phenomenal."

The past few years, I've come to realize how much of an amazing actor George Clooney is. Since 2007, his list of accomplishments is fairly impressive. Movies like Michael Clayton, Burn After Reading, Up in the Air, and even Fantastic Mr. Fox were great movies made even better by his inclusion. I'm not breaking new ground with this statement, but I really do see him as the modern day Cary Grant, who just so happens to be my other favorite actor. Clooney's ability to go so easily from comedy (Burn After Reading) to more serious fare like The American is what sets him apart from a lot of other leading men out there today. I feel he has recently entered a new phase in his career that to me is one of the most exciting transitions an actor has made in quite some time. He seems to have a great eye for picking movies and I will now look forward to almost anything he is in.

In the American, Clooney plays the stereotypical aging assassin who has decided that after a successful life of being great at what he does, it's time to pack it in and try to lead a normal life. That really is the only stereotypical thing about this movie though. It takes that premise and brings it to such a refreshing place that it makes it all feel new again. The movie forces you to feel the pain that his life choices have caused him. He is a lonely man with no friends or a home. It's the type of action movie where you actually dread any action that could take place because you fear for the safety of this character that you have come to admire. It's also one of the more visually gifted movies I have seen in quiet some time, spending lots of time showcasing the beauty of the small Italian village the movies takes place in.

So luckily, George Clooney isn't the only great thing about this movie. Part of his last job involves making the weaponry needed for another assassin (played by the gorgeous Thekla Reutan) to complete her job. I loved all of their scenes due to the delightful tension that continues to get stronger as the movie progresses. Normally if the other spy was played by a man, there would still be tension as we are not sure who Clooney can trust, but by having this other spy be a beautiful woman, it adds a dangerously sexy appeal to all of their scenes. The scenes of Clooney putting together the needed weapon while sitting alone in his workshop were some of my favorite in the movie. You can tell from the mix of determination on his face and the ease of his hands quickly putting the pieces together that Clooney's character is a real artist. I was left only slightly disappointed when these scenes ended and it didn't pan out and show that his character made the dildo chair from Burn After Reading.

Thekla's assassin character is not meant to be Clooney's love interest though. That role is played by Violante Placido, who is so stunning it's almost offensive. Her character, Clara, is an Italian prostitute that Clooney is able to find a sense of comfort from. They quickly fall for each other and it's not hard to see why. But of course we know that it's never safe for a hitman to have a love interest but we also know that a hitman can never really trust anyone. Their relationship is played out so perfectly in this movie that my only complaint is that they didn't have a lot more scenes together. It's sort of an irrational complaint though because the movie moves at such a quick pace that it never feels like a scene is wasted. I'd be afraid that adding even one extra scene may tip it in the wrong direction. At only 105 min. it is a movie that knows how to get the job done and does it in a mostly non-showy fashion, much like Clooney's character himself.

I am left quite flabbergasted at the mixed reviews of this movie. Sure it's not perfect (there is one glaring issue I have but it so admittingly nit picky it is not even worth mentioning here due to spoilers) but it is still a very smart movie that left me extremely satisfied. This movie seems to scream out that summer is over and school is back in session. For those "kids" who still crave the inane loudness that comes with summer movies, I can see how they may be disappointed in this relatively quiet study. But for adults ready to get back to actually learning something from the movies, The American is open for enrollment.

You're Welcome, 

Dave

DVD Review: Bronson (by Dave Machado)

Bronson is a superb biopic of infamous British criminal Michael Peterson, who is considered the most violent criminal in Britain based on how much chaos he has caused since he has been locked up. He makes it a habit to fight with guards and has spent his whole life bouncing from prison to prison (mostly in solitary confinement) as they try to find a place that can finally tame him. At one point in Peterson's life, he is released from jail and spends about 2 months free as a bare knuckle fighter. It is during this time that his promoter gives him the new moniker, "Charlie Bronson" after the Death Wish actor. The role of Bronson is played by Tom Hardy, who audiences will remember as the suave Eames from Inception. Seen here in a much more "unrestricted" role, Tom Hardy really shines and helps make Bronson one of the most energetic and unique biopics I have ever seen.

Raised in a normal family setting, Bronson always had a problem with authority. He would constantly get into fights and was never really given the chance at a normal life. He slowly graduated to more disturbing crimes (though never murder) and was finally placed in jail. The film never tries to really iconisize Bronson but you do feel sympathetic towards him as you see that he clearly had some emotional issues to deal with his whole life. Hardy does such an amazing job showing how unhinged Bronson really was, perfecting that certain spark of anger all psychopaths tend to have in their eyes. It's impressive to see how effortless his performance seemed as he disappeared until the role.

The reason Bronson is such an entertaining film to watch is the way it adds to the normally stale biopic genre. The film is mostly told in straight linear fashion, but is interjected with scenes of Bronson addressing the screen as if he were telling his life's tale to an audience. It's a fitting twist for a man who spent most of his life by himself in a small prison cell. To me, I saw it as a man's attempt at staying sane, simply pretending his life is a show so he can address some invisible crowd. Bronson even appears in clown make up occasionally on stage, simply adding to the illusion that his whole life has been one big circus. My only complaint is that these scenes seemed to occur more in the first half of the movie and unfortunately were used less and less as the movie went on.

For a movie about such a violent man, the movie is luckily infused with a fantastic dark wit. This could have been a drab movie focusing on the hate inside this man but due to Hardy's charismatic performance, excellent fight cinematography, and a sharp script, the movie pops off the screen with such ease. It's not that the movie makes light of what Bronson has done, but because the film is framed as being told by Bronson himself, it is expected that his actions would be seen in an almost heroically comic light. I highly recommend this movie as I feel it never really got the attention it deserved. If nothing else, it will allow you to see the greatest "dance party" sequence I have ever seen in a movie.

You're Welcome,

Dave

DVD Review: ThanksKilling (by Dave Machado)

I once was lost, but now am found, was blind, but now I've seen ThanksKilling. Words can't really explain what happens in the 60 minute long runtime of the epic ThanksKilling. In short, it is a movie about a killer turkey from the Pilgrim times who is raised from the dead and goes about killing all the white people he comes across. But really, it is so much more than that. If Orson Welles were alive today and was able to view ThanksKilling, he would finally witness Citizen Kane toppled as the greatest American movie of all time. He would also proceed to then eat an entire turkey.

The movie opens with a close up of a big (unclothed) boob. The camera pans out and we see that the boob is in fact a Pilgrim boob and it (along with the boob's owner) is being chased by the killer turkey. She is quickly slaughtered and we cut to present times, where an amazingly cliche group of friends are about to go on a road trip home for Thanksgiving break. They proceed to treat this like Spring Break ("Thanksgivng break! WOOO!") as they all pile into the jock's jeep to go home. Joining said jock are the dumb slut, the fat guy, the nerd, and the sweet innocent girl. These stereotypes are established very quickly and are then hammered into the ground for the rest of the movie. The best is that we know the slutty girl is a slut because the other girl claims "Your legs are harder to close than the Jon Benet Ramsey case!"

The rest of the movie isn't even worth spoiling here because the fun of it is seeing just how amazingly bad the story really is. But just in case I haven't convinced you to see this movie (Seriously!?), let me give you one more reason.  At one point, a character's father is killed by the turkey in his home as the group of kids are on their way to his house (The reason they are going there? "My Dad has a ton of books! One of them has to be about a killer turkey!"). So the turkey then cuts the father's face off (including mustache) and makes a little mask to put on his little turkey head. It's worth pointing out now that the turkey is normal sized and not a giant mutant turkey. When the group shows up, they proceed to talk to the turkey as if nothing is wrong, even bending down to give it little hugs. No one even notices that this is a turkey in disguise. If you are not running to go see this movie right now, you are dead to me.

In summary, watching ThanksKilling is like finding a lost text from the Bible. It changes your life for the better and you wonder how you ever lived without it to begin with. I'm sure some will say that this movie is a real "turkey" and for that, they should have their family kidnapped. I hope you all enjoy this movie as much as I did. I understand it may not be for everyone, but if you are looking for a great movie to put on for a laugh, I can't think of a better movie than ThanksKilling. It truly gave me something to be thankful for.

You're Welcome

Dave

DVD Review: Antichrist (by Dave Machado)

Antichrist is a movie that made me both thankful and regretful that I am not blind. It tells the story of a couple who are mourning the death of their only child, who in a beautifully shot prologue, falls to his death from their apartment window. The rest of the movie shows the couple trying to overcome their unbearable grief as they search for a meaning to go on. It is a cold, heartless movie that focuses on the evil of humans, specifically villainizing their dirty sexual desires. Antichrist is an extremely difficult movie to get through both physically and emotionally and there is nothing redeeming waiting for you on the other end as the credits roll.

I see Antichrist less of a movie and more as an art project. Granted it's art I would prefer never to see again, but I can at least acknowledge that the movie had some strikingly haunting visuals. There were scenes where it mattered less what was happening on the screen as my eyes simply admired the beauty that was on display. The plot is fairly easy to follow and you really get a feeling of the downward spiral these two descend upon as they slowly loose their grip on what's left of their lives. Once the husband (played by Willem Dafoe) decides to take his wife (played by Charlotte Gainsbourg) to an old cabin she is having nightmares of (due to spending the last summer with her son there), the movie delves even further into the abyss, thus becoming less interesting and more mean spirited. 

I think I have a grasp on what Director/Writer Lars von Trier was attempting with this movie, I just have a hard time respecting the outcome. The movie contains a fair amount of graphic scenes that were very uncomfortable to watch. I can usually deal with the worst gore a movie has to offer but when it is so devoid of humor or any spark of entertainment, I am quickly turned off. Obviously humor has no place in a movie like this so to see just how far he goes really made me question if I even wanted to continue watching until the end. This is not a movie you watch to be entertained, it is a movie you watch to experience the hell these characters are going through. 

The interesting aspect about the couple though is von Trier's decision to make the husband a psychiatrist. He (that's literally the character's name by the way.  The wife's name is She.) is a very distant husband and treats his wife as a patient as she becomes increasingly more unraveled due to their son's death. The pair come to embody the constant struggle between the mind and the body as she constantly throws herself at him for sex as a way to cope with her issues. We never see the couple before their son's death and it is implied they have always had this distance between them. Calling either of the two "sympathetic" would simply be a lie as the whole movie makes you despise these two characters almost from the very start.  An interesting decision considering the lack of any supporting characters to fall back on. I hope heaven, or any form of the afterlife, doesn't exist in the universe of this movie because their little boy has suffered enough and should never have to see the insane depravity of his parents.

The only experience I can compare this movie to was when I saw the Marina Abramovic exhibit at the Museum of Modern Art in New York. There were many people their admiring her work, which like this movie seemed to enjoy linking sex to death. As I walked through the exhibits, a sense of dread came over me and I needed to leave. I was left confused as to how anyone could view this objectively and enjoy it as art when it was so perverse. Antichrist left me with that same feeling and because of it, it was a movie I can easily say I got no enjoyment out of seeing. So if you are brave enough, good luck watching this film. You can't say I didn't warn you though.

You're Welcome,

Dave

Movie Review: The Last Exorcism (by Dave Machado)

The Last Exorcism is another "found footage" movie focusing on a fake documentary being made about Reverend Cotton Marcus, who after years of questioning his faith, has decided to allow a film crew to follow him to an "exorcism" so he can show how fake it all really is. Things don't go exactly as planned of course and what follows is an impressive film that is able to accomplish a lot and not feel too restricted by the "shaky cam" gimmick. It's a film that constantly stays two steps ahead of the viewer. Every time I thought I had the movie figured out, a game changer was thrown my way, constantly making me question (in a good way) where this was all headed. The movie does a wonderful job of building the characters and thankfully focuses less time on random jump scares, which sometimes plague these types of movies, making them feel unbearably forced.

Reverend Marcus is an engaging character and I was very happy to see that he was portrayed as a modern man who just happened to be raised in the church. He is a product of his environment but at the same time he is breaking off from his traditional upbringing based on a practical and logical mindset. The Reverend is a great showman, so great that he may have even tricked himself into believing his sermons that he began giving at such a young age. It was a relief to see the movie go this route instead of having him be a broad caricature of a rich southern preacher who gets his jollies swindling his poor followers for his own financial gain. He may be flawed (he admits to being a fake but says he provides a needed service and in return is able to support his family) but he is sympathetic enough so when the film starts to take a turn, you actually care about his outcome.

There is a great scene early on in the movie of the Rev. showing off his "magic tricks" to the camera after performing an exorcism. He closely resembles a young kid gleefully showing how he performed a parlor trick in front of his family. I think it's interesting to see how much Reverend Marcus sees himself as an magician/actor because it adds an intriguing layer to the moral debate of his character. When you really think about it, who are actors but con men playing the roles of other people? They put on a different persona for the camera and are rewarded financially based on how good they are at becoming a fake person. Some movies are so engaging to us that they even help us work through our own issues as we watch them. Is this really that different then how the Reverend helps these people by performing an exorcism? Sure the argument can be made that we know the movies are fake to begin with while the Reverend's followers truly believe, but whose to say that subconsciously, they know it's all a game but need to see the performance played out for them in order to feel relief?

The main question of the movie is whether or not this family needs a show or the real thing. The "possessed" girl (played to perfection by Ashley Bell) is a home-schooled teenager that has had her family torn apart due to the death of her mother from cancer. She lives alone on a large farm property with her now alcoholic dad and her socially detached brother. Ashley Bell plays sweet and innocent in such a loving way that it's even more shocking when she starts acting "odd." It's no question that this girl is in need of help.  What the movie does is make you question whether the help needed is of a spiritual or psychological kind.  I don't want to get into any spoilers related to that in this review because I went in fairly clean and felt that aided in my enjoyment of the movie. As I said before though, the movie never gets predictable and changes things up right until the very end.

The summer is never a great season for horror so it is welcoming to see such a good old-fashioned one get released now. I'm glad they decided on August instead of a couple months from now because while Fall may be the best season for horror, it's hard for smaller movies to find an audience when they are one of multiple horror movies opening up in the same month. I would have hated seeing this get lost in the shuffle between Saw VII and Paranormal Activity 2. While I have my own personal gripes with the "found footage" gimmick, I will admit that those movies always play better in a theater and I believe The Last Exorcism is no exception. At the very least, you'll walk out of the theater with a great new banana bread recipe.

You're Welcome,
Dave